Oto wo Miru (2024)

for grand piano, percussion instruments and fish strings

This work emerged from the concept of directly engaging with the sensation of imagining and providing sound while playing. It represents the approach of treating sound as something that can be seen and touched, to perceive sound through other senses instead of only hearing.
The emergence of sound is observed through the act of attempting to physically connect with the sound itself while tracing a single string. The route of the string following draws a path of the sound in the space.

January 2024
Luzern, Switzerland